Roland Fantom-S88 Manuale Utente Pagina 190
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190
Settings Common to All Modes (System Function)
System Ctrl
Sys Ctrl 1–4 Source
System Control Assign selects the MIDI message used as the System
Control.
Value
OFF: The system control knob will not be used.
CC01–31, 33–95: Controller numbers 1–31, 33–95
For details on control change messages, refer to “MIDI
Implementation” (Parameter List).
PITCH BEND: Pitch Bend
AFTERTOUCH: Aftertouch
Screen Saver
Screen Saver Type
Select the type of screen saver.
Value: 1–10
Screen Saver Time
Set the time (minutes) until the screen saver begins working.
If this is OFF, the screen saver will not appear.
Value: OFF, 5–60 min.
Background
Background Picture
Select the file that is to be displayed as the screen background.
Value:1–10
Sync/Temp
Sync Mode
Specify the synchronization message that the Fantom-S’s sequencer
will use for operation.
Value
MASTER: The Fantom-S will be the master. Choose this setting
when using the Fantom-S by itself without
synchronizing to another device, or when you want
other MIDI devices to synchronize to the Fantom-S.
SLAVE-MIDI: The Fantom-S will be the slave. Choose this setting
when you want the Fantom-S to synchronize to MIDI
Clock messages received from another MIDI device.
SLAVE-MTC: The Fantom-S will be the slave. Choose this setting
when you want the Fantom-S to synchronize to MTC
(MIDI Time Code) received from an external device.
REMOTE: Use this setting when you wish an external MIDI
device to have remote start/stop control. The tempo
will be in accord with what has been set on the
Fantom-S.
Sync Output (Sync Output Switch)
Set this parameter ON when you want synchronization related MIDI
messages (MIDI Clock, Start, Continue, Stop, Song Position Pointer
and Song Select) to be transmitted to an external MIDI device. If not,
set it OFF.
Value: OFF, ON
Tempo Override
Specify whether the sequencer tempo will change (ON), or will not
change (OFF) when you switch performance.
Value: ON, OFF
System Control
This function, which departs from previously used methods,
and instead allows you to use MIDI messages to change tone
settings in realtime, is called the Matrix Control (p. 61).
Similarly, the function allowing you to use MIDI messages to
change multi-effects settings in realtime is called the Multi-
effects Control (p. 181).
Normally, the Matrix Control is used for making patch settings,
and the Multi-effects Control for making settings to patches,
rhythm sets, and performances. However, if you do not need to
change the MIDI messages used for matrix control or multi-
effects control by each patch/rhythm set/performance, or if
you want to use a specific MIDI message for matrix control or
multi-effects control, you will want to make use of System
Control. In other words, you could call the System Controls
global Matrix Control/Multi-effects Control for the entire
Fantom-S.
You can use up to four System Controls.
MIDI Clock and MTC
MIDI Clock and MTC (MIDI Time Code) are both messages
used for synchronization. Select either of them depending on
the application.
MIDI Clock transmits and synchronizes operations to a
sequencer’s performance tempo, whereas MTC synchronizes
operations between devices based on an absolute time. Since
Roland VS Series workstations are hard disk recorders, they
cannot send MIDI Clock. Therefore, using a MTC is convenient
for synchronization of the hard disk recorder and the Fantom-S.
However, VS Series devices also feature specialized tracks for
recording MIDI Clock, so with the Fantom-S’s MIDI Clock
recorded in this manner, we have another synchronizing
technique in which the VS device appears to be sending MIDI
Clock (although it is actually playing back tracks to which MIDI
Clock has been recorded). However, since the tempo must be
recorded to the VS sync track beforehand, MTC is only
convenient in synchronizing with songs that do not contain
great amounts of tempo data.
- OWNER’S MANUAL 1
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 5
- Contents 6
- Main Features 13
- Panel Descriptions 14
- Rear Panel 16
- Overview of the Fantom-S 17
- Rhythm Sets 18
- Performances 18
- About Memory 19
- Temporary Memory 20
- Rewritable Memory 20
- Non-Rewritable Memory 20
- About the Onboard Effects 20
- Effect Types 20
- About the Sequencer 21
- Tempo Track 22
- Beat Track 22
- Positions for Storing a Song 22
- About the Sampling Section 23
- About the [1]–[8] Buttons 24
- Moving the Cursor 25
- Modifying a Value 25
- Playing in Patch Mode 26
- Selecting a Patch 27
- Selecting Favorite Patches 28
- (Favorite Sound) 28
- Auditioning Patches 29
- (Phrase Preview) 29
- (Patch Finder) 29
- Registering a Favorite Patch 30
- Transposing the Keyboard in 31
- Octave Units (Octave Shift) 31
- Semitone Steps (Transpose) 32
- Sound (Tone On/Off) 32
- Playing Single Notes (Mono) 32
- (Portamento) 33
- Assigning a Parameter to a 34
- Controller 34
- D Beam (Assignable) 36
- Selecting a Rhythm Set 37
- Playing a Rhythm Set 38
- Creating a Patch 39
- Editing in a Graphic Display 40
- (Zoom Edit) 40
- Cautions When Selecting a 41
- Waveform 41
- Patch (Compare) 42
- Functions of Patch Parameters 43
- (General) 43
- Modifying Waveforms (Wave) 45
- Booster level 47
- Pitch Env 50
- Modulating Sounds (LFO) 56
- Cutoff Frequency 57
- Sound (Solo Porta) 58
- Miscellaneous Settings (Misc) 60
- Creating a Rhythm Set 64
- Saving Rhythm Sets You’ve 66
- Created (Write) 66
- Functions of Rhythm Set 67
- Parameters 67
- Sounded (WMT) 70
- Output Settings 75
- Playing in Performance Mode 76
- Selecting a Performance 78
- Using the Layer Screen 79
- Part 1: Strings 80
- Part 1 + Part 2: 80
- (Strings + Piano) 80
- Part 2: Piano 80
- Using the Mixer Screen 81
- Editing the Part Settings 82
- Part (Mute) 82
- List (Performance Part View) 83
- Confirming MIDI Information 83
- Creating a Performance 84
- [2 (Output Effect)] 85
- [3 (Pitch)] 86
- [4 (Offset)] 87
- [5 (Key Range)] 87
- [6 (Scale Tune)] 88
- [7 (External)] 89
- [8 (MIDI Filter)] 90
- MIDI Filter 90
- Selecting the Parameter 91
- Controlled by the Realtime 91
- (Control Setting) 91
- D Beam (Pad Trigger) 92
- D Beam (Solo Synth) 92
- Changing the Settings of the 95
- Patch Assigned to a Part 95
- Initializing Performance 96
- Settings (Init) 96
- Saving Performance You’ve 96
- Part in a Performance 97
- Waving Your Hand Over the D 98
- Beam to Modify the Sound 98
- (D Beam Controller) 98
- PAD Trigger settings 99
- (Pad-related settings) 99
- SOLO SYNTH 100
- Using Knobs or Buttons to 101
- Modify the Sound 101
- (Realtime Controller) 101
- Using a Pedal to Modify the 102
- Sound (Control Pedal) 102
- Making Control Pedal Settings 102
- Control Pedal Polarity 103
- Hold Pedal Polarity 103
- Continuous Hold Pedal 103
- Control Pedal Assign 103
- Playing Arpeggios 104
- (ARPEGGIO/RHYTHM Function) 104
- Arpeggio Settings 105
- Playing the Sounds) (Motif) 106
- Arpeggio (Arpeggio Velocity) 106
- Creating Your Own Styles 107
- Saving the Styles You Have 109
- Created (WRITE) 109
- (CHORD MEMORY) 110
- Creating Your Own Chord 111
- Saving the Chord Forms You 111
- Have Created 111
- Playing Rhythms 112
- Rhythm Pattern Settings 113
- (Rhythm Pattern Edit) 115
- Saving the Patterns You Have 116
- (Rhythm Group Edit) 116
- Saving the Rhythm Group You 117
- Have Created (WRITE) 117
- Sampling 118
- Input Effect Setup Settings 119
- Sampling Procedure 119
- Sampling Earlier in Time 121
- (Skip Back Sampling) 121
- Editing a Sample 122
- Loading a Sample 123
- Loading all Samples 123
- Unloading a Sample 123
- Deleting a Sample 123
- Displaying Sample Edit Screen 124
- Making Settings for Sample 125
- (Sample Parameters) 125
- Assigning Samples to a Pad 126
- (Assign To Pad) 126
- From Patch Mode 127
- From Performance Mode 127
- Create a Rhythm Set 128
- (Create Rhythm) 128
- Creating a Multisample 128
- (Create Multisample) 128
- Unloading a Sample (Unload) 129
- Removing Unwanted Portions 129
- Sample (Emphasis) 130
- Maximizing the Volume of a 130
- Sample (Normalize) 130
- Stretching or Shrinking a 131
- Sample (Time Stretch) 131
- Dividing a Sample into Notes 132
- Joining Two or More Samples 133
- (Combine) 133
- Saving a Sample 134
- Using the Pads 135
- Using the Clipboard to Copy 136
- Pad Settings 136
- Adjusting the Pad Settings 136
- (PAD SETTING) 136
- Assigning a Pattern to a Pad 137
- (RPS Function) 137
- Using the Pads to Play 137
- Playing Back a Song 138
- Various Playback Methods 139
- Recording Songs 141
- Recording Your Performance 142
- (Realtime Recording) 142
- Recording Tempo Changes in a 143
- Song (Tempo Recording) 143
- Loop Recording and Punch-In 143
- Recording 143
- Using Auto Punch-In Recording 144
- Record (Realtime Erase) 145
- Inputting Data One Step at a 146
- Time (Step Recording) 146
- Editing Songs 149
- Assigning a Locate Position 150
- Editing Sequencer Data Over 151
- (Track Edit) 151
- Erasing Unwanted Performance 154
- Data (Erase) 154
- Copying Phrases (Copy) 155
- Inserting a Blank Measure 156
- (Insert) 156
- Transpose the Key (Transpose) 156
- (Change Velocity) 157
- (Change Duration) 158
- Changing the MIDI Channel 158
- (Change Channel) 158
- Patterns into One (Merge) 159
- Sequencer Data (Extract) 159
- (Data Thin) 161
- Patterns (Exchange) 161
- Editing Individual Items of 162
- Sequencer Data (Micro Edit) 162
- Sequencer Data Handled by a 163
- Phrase Track/Pattern 163
- Viewing Sequencer Data (View) 164
- Moving Sequencer Data (Move) 165
- Copying Sequencer Data (Copy) 166
- Changing the Tempo Midway 166
- Through the Song 166
- Assigning a Name to a Song 167
- (Song Name) 167
- Saving a Song (Save) 168
- Saving a Song (Save Song) 169
- Saving a Song as an SMF File 170
- (Save as SMF) 170
- Loading a Song (Load) 170
- Importing a WAV/AIFF File 171
- (Import Audio) 171
- Before You Use the RPS 172
- Function 172
- Using the RPS Function While 173
- You Perform 173
- RPS Function 174
- Adding Effects 175
- Applying Effects in 178
- Performance Mode 178
- (MFX1–3) 180
- (MFX Control) 181
- Specifying the multi-effect 182
- Mastering Effect 183
- Computer via USB 184
- Importing Audio file 185
- Using a Bitmap File as a 185
- Background in the Display 185
- Canceling USB Communication 186
- Copying a File (COPY) 187
- Deleting a File (DELETE) 187
- Moving a File (MOVE) 187
- Initializing a Memory Card 187
- (Format) 187
- How to Make the System 188
- Function Settings 188
- Saving the System Settings 188
- Pedal/D Beam 189
- Keyboard 189
- System Ctrl 190
- Screen Saver 190
- Background 190
- Sync/Temp 190
- Metronome 192
- Scale Tune 194
- System Information 195
- Data Management Functions 196
- (Factory Reset) 196
- Playing in Piano Mode 197
- Adjusting the Keyboard Touch 198
- (Key Touch) 198
- Adjusting the Depth of 198
- Resonance (Resonance) 198
- Saving a Sound (Patch) 198
- Using Fantom-S Editor 199
- System Requirements (Mac OS) 200
- About V-LINK 201
- V-LINK Parameters 202
- Cautions When Installing an 203
- Wave Expansion Board 203
- How to Install a Wave 203
- Expansion Board 203
- Checking the Installed Wave 204
- Expansion Boards 204
- Installation d’une carte 205
- Vérification des cartes 206
- Expanding the Memory 207
- Checking that memory is 208
- Ajouter de la mémoire 209
- Vérifier que la mémoire est 210
- Troubleshooting 211
- Issues Related to Effects 213
- Issues Related to Saving Data 213
- Issues Related to Sequencer 214
- Issues Related to Sampling 215
- Specifications 217
- Numerics 218
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