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60
Creating a Patch
Miscellaneous Settings (Misc)
fig.03-13a_50
Tone Delay Mode
Selects the type of tone delay.
Value
NORM: The tone begins to play after the time specified in the Delay
Time parameter has elapsed.
fig.NORM.e
HOLD: Although the tone begins to play after the time specified in the Delay
Time parameter has elapsed, if the key is released before the time specified
in the Delay Time parameter has elapsed, the tone is not played.
fig.HOLD.e
OFF-N: Rather than being played while the key is pressed, the tone begins
to play once the period of time specified in the Delay Time parameter has
elapsed after release of the key. This is effective in situations such as when
simulating noises from guitars and other instruments.
fig.OFF-N.e
OFF-D: Rather than being played while the key is pressed, the tone
begins to play once the period of time specified in the Delay Time
parameter has elapsed after release of the key. Here, however,
changes in the TVA Envelope begin while the key is pressed, which
in many cases means that only the sound from the release portion of
the envelope is heard.
fig.OFF-D.e
If you have selected a waveform that is a decay-type sound (i.e.,
a sound that fades away naturally even if the key is not
released), selecting “OFF-N” or “OFF-D” may result in no sound
being heard.
Tone Delay Time
Specifies the time from when the key is pressed (or if the Delay
Mode parameter is set to “OFF-N” or “OFF-D,” the time from when
the key is released) until when the tone will sound.
Value: 0–127, Note
Tone Delay Time specifies the beat length for the synchronized tempo
when the tempo that specifies the elapsed time until the tone is sounded
(Patch Tempo) is synchronized with the tempo set in a sequencer.
(Example)
For a tempo of 120 (120 quarter notes occur in 1 minute (60 seconds))
Note off
Delay time
Note on
No Tone Delay
Note off
Delay time
Note on
No sound
played
Note off
Delay time
Note on
Setting Delay time
(half note)
1 second (60 / 60 =1 (second))
(quarter note)
0.5 seconds (60 / 120= 0.5 (seconds))
(eighth note)
0.25 seconds (60 / 240= 0.25 (seconds))
Note off
Delay time
Note on
Tone Delay
This produces a time delay between the moment a key is
pressed (or released), and the moment the tone actually begins
to sound. You can also make settings that shift the timing at
which each tone is sounded. This differs from the Delay in the
internal effects, in that by changing the sound qualities of the
delayed tones and changing the pitch for each tone, you can
also perform arpeggio-like passages just by pressing one key.
You can also synchronize the tone delay time to the tempo of
the sequencer.
• If you are not going to use Tone Delay, set the Delay Mode
parameter to “NORM” and Delay Time parameter to “0.”
• If the Structure parameters set in the range of “2”–”10,” the
output of tones 1 and 2 will be combined into tone 2, and
the output of tones 3 and 4 will be combined into tone 4. For
this reason, tone 1 will follow the settings of tone 2, and
tone 3 will follow the settings of tone 4 (p. 46).
- OWNER’S MANUAL 1
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 5
- Contents 6
- Main Features 13
- Panel Descriptions 14
- Rear Panel 16
- Overview of the Fantom-S 17
- Rhythm Sets 18
- Performances 18
- About Memory 19
- Temporary Memory 20
- Rewritable Memory 20
- Non-Rewritable Memory 20
- About the Onboard Effects 20
- Effect Types 20
- About the Sequencer 21
- Tempo Track 22
- Beat Track 22
- Positions for Storing a Song 22
- About the Sampling Section 23
- About the [1]–[8] Buttons 24
- Moving the Cursor 25
- Modifying a Value 25
- Playing in Patch Mode 26
- Selecting a Patch 27
- Selecting Favorite Patches 28
- (Favorite Sound) 28
- Auditioning Patches 29
- (Phrase Preview) 29
- (Patch Finder) 29
- Registering a Favorite Patch 30
- Transposing the Keyboard in 31
- Octave Units (Octave Shift) 31
- Semitone Steps (Transpose) 32
- Sound (Tone On/Off) 32
- Playing Single Notes (Mono) 32
- (Portamento) 33
- Assigning a Parameter to a 34
- Controller 34
- D Beam (Assignable) 36
- Selecting a Rhythm Set 37
- Playing a Rhythm Set 38
- Creating a Patch 39
- Editing in a Graphic Display 40
- (Zoom Edit) 40
- Cautions When Selecting a 41
- Waveform 41
- Patch (Compare) 42
- Functions of Patch Parameters 43
- (General) 43
- Modifying Waveforms (Wave) 45
- Booster level 47
- Pitch Env 50
- Modulating Sounds (LFO) 56
- Cutoff Frequency 57
- Sound (Solo Porta) 58
- Miscellaneous Settings (Misc) 60
- Creating a Rhythm Set 64
- Saving Rhythm Sets You’ve 66
- Created (Write) 66
- Functions of Rhythm Set 67
- Parameters 67
- Sounded (WMT) 70
- Output Settings 75
- Playing in Performance Mode 76
- Selecting a Performance 78
- Using the Layer Screen 79
- Part 1: Strings 80
- Part 1 + Part 2: 80
- (Strings + Piano) 80
- Part 2: Piano 80
- Using the Mixer Screen 81
- Editing the Part Settings 82
- Part (Mute) 82
- List (Performance Part View) 83
- Confirming MIDI Information 83
- Creating a Performance 84
- [2 (Output Effect)] 85
- [3 (Pitch)] 86
- [4 (Offset)] 87
- [5 (Key Range)] 87
- [6 (Scale Tune)] 88
- [7 (External)] 89
- [8 (MIDI Filter)] 90
- MIDI Filter 90
- Selecting the Parameter 91
- Controlled by the Realtime 91
- (Control Setting) 91
- D Beam (Pad Trigger) 92
- D Beam (Solo Synth) 92
- Changing the Settings of the 95
- Patch Assigned to a Part 95
- Initializing Performance 96
- Settings (Init) 96
- Saving Performance You’ve 96
- Part in a Performance 97
- Waving Your Hand Over the D 98
- Beam to Modify the Sound 98
- (D Beam Controller) 98
- PAD Trigger settings 99
- (Pad-related settings) 99
- SOLO SYNTH 100
- Using Knobs or Buttons to 101
- Modify the Sound 101
- (Realtime Controller) 101
- Using a Pedal to Modify the 102
- Sound (Control Pedal) 102
- Making Control Pedal Settings 102
- Control Pedal Polarity 103
- Hold Pedal Polarity 103
- Continuous Hold Pedal 103
- Control Pedal Assign 103
- Playing Arpeggios 104
- (ARPEGGIO/RHYTHM Function) 104
- Arpeggio Settings 105
- Playing the Sounds) (Motif) 106
- Arpeggio (Arpeggio Velocity) 106
- Creating Your Own Styles 107
- Saving the Styles You Have 109
- Created (WRITE) 109
- (CHORD MEMORY) 110
- Creating Your Own Chord 111
- Saving the Chord Forms You 111
- Have Created 111
- Playing Rhythms 112
- Rhythm Pattern Settings 113
- (Rhythm Pattern Edit) 115
- Saving the Patterns You Have 116
- (Rhythm Group Edit) 116
- Saving the Rhythm Group You 117
- Have Created (WRITE) 117
- Sampling 118
- Input Effect Setup Settings 119
- Sampling Procedure 119
- Sampling Earlier in Time 121
- (Skip Back Sampling) 121
- Editing a Sample 122
- Loading a Sample 123
- Loading all Samples 123
- Unloading a Sample 123
- Deleting a Sample 123
- Displaying Sample Edit Screen 124
- Making Settings for Sample 125
- (Sample Parameters) 125
- Assigning Samples to a Pad 126
- (Assign To Pad) 126
- From Patch Mode 127
- From Performance Mode 127
- Create a Rhythm Set 128
- (Create Rhythm) 128
- Creating a Multisample 128
- (Create Multisample) 128
- Unloading a Sample (Unload) 129
- Removing Unwanted Portions 129
- Sample (Emphasis) 130
- Maximizing the Volume of a 130
- Sample (Normalize) 130
- Stretching or Shrinking a 131
- Sample (Time Stretch) 131
- Dividing a Sample into Notes 132
- Joining Two or More Samples 133
- (Combine) 133
- Saving a Sample 134
- Using the Pads 135
- Using the Clipboard to Copy 136
- Pad Settings 136
- Adjusting the Pad Settings 136
- (PAD SETTING) 136
- Assigning a Pattern to a Pad 137
- (RPS Function) 137
- Using the Pads to Play 137
- Playing Back a Song 138
- Various Playback Methods 139
- Recording Songs 141
- Recording Your Performance 142
- (Realtime Recording) 142
- Recording Tempo Changes in a 143
- Song (Tempo Recording) 143
- Loop Recording and Punch-In 143
- Recording 143
- Using Auto Punch-In Recording 144
- Record (Realtime Erase) 145
- Inputting Data One Step at a 146
- Time (Step Recording) 146
- Editing Songs 149
- Assigning a Locate Position 150
- Editing Sequencer Data Over 151
- (Track Edit) 151
- Erasing Unwanted Performance 154
- Data (Erase) 154
- Copying Phrases (Copy) 155
- Inserting a Blank Measure 156
- (Insert) 156
- Transpose the Key (Transpose) 156
- (Change Velocity) 157
- (Change Duration) 158
- Changing the MIDI Channel 158
- (Change Channel) 158
- Patterns into One (Merge) 159
- Sequencer Data (Extract) 159
- (Data Thin) 161
- Patterns (Exchange) 161
- Editing Individual Items of 162
- Sequencer Data (Micro Edit) 162
- Sequencer Data Handled by a 163
- Phrase Track/Pattern 163
- Viewing Sequencer Data (View) 164
- Moving Sequencer Data (Move) 165
- Copying Sequencer Data (Copy) 166
- Changing the Tempo Midway 166
- Through the Song 166
- Assigning a Name to a Song 167
- (Song Name) 167
- Saving a Song (Save) 168
- Saving a Song (Save Song) 169
- Saving a Song as an SMF File 170
- (Save as SMF) 170
- Loading a Song (Load) 170
- Importing a WAV/AIFF File 171
- (Import Audio) 171
- Before You Use the RPS 172
- Function 172
- Using the RPS Function While 173
- You Perform 173
- RPS Function 174
- Adding Effects 175
- Applying Effects in 178
- Performance Mode 178
- (MFX1–3) 180
- (MFX Control) 181
- Specifying the multi-effect 182
- Mastering Effect 183
- Computer via USB 184
- Importing Audio file 185
- Using a Bitmap File as a 185
- Background in the Display 185
- Canceling USB Communication 186
- Copying a File (COPY) 187
- Deleting a File (DELETE) 187
- Moving a File (MOVE) 187
- Initializing a Memory Card 187
- (Format) 187
- How to Make the System 188
- Function Settings 188
- Saving the System Settings 188
- Pedal/D Beam 189
- Keyboard 189
- System Ctrl 190
- Screen Saver 190
- Background 190
- Sync/Temp 190
- Metronome 192
- Scale Tune 194
- System Information 195
- Data Management Functions 196
- (Factory Reset) 196
- Playing in Piano Mode 197
- Adjusting the Keyboard Touch 198
- (Key Touch) 198
- Adjusting the Depth of 198
- Resonance (Resonance) 198
- Saving a Sound (Patch) 198
- Using Fantom-S Editor 199
- System Requirements (Mac OS) 200
- About V-LINK 201
- V-LINK Parameters 202
- Cautions When Installing an 203
- Wave Expansion Board 203
- How to Install a Wave 203
- Expansion Board 203
- Checking the Installed Wave 204
- Expansion Boards 204
- Installation d’une carte 205
- Vérification des cartes 206
- Expanding the Memory 207
- Checking that memory is 208
- Ajouter de la mémoire 209
- Vérifier que la mémoire est 210
- Troubleshooting 211
- Issues Related to Effects 213
- Issues Related to Saving Data 213
- Issues Related to Sequencer 214
- Issues Related to Sampling 215
- Specifications 217
- Numerics 218
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