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Book

B e y o n d R e a l i t y

The

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Printed in Japan July 2003 RAM-3739 BE-2 MI-NK

The Book

Beyond Reality

1 2 ... 59 60 61 62 63 64

B e y o n d R e a l i t y 1
➝ Performance Control 2
➝ The Simplest of Patches 2
S o n i c C o n t r o l 3
Side Band Filter 4
Main Feafures 5
Sound-making that transcends 6
A revolutionary leap in sound 7
— COSM — 8
F i r s t S t e p s 10
Trying out the Presets 11
The Simplest of Patches 12
Simplicity 13
The OSC1 / OSC2 Sections 16
PITCH (Analog or PCM) 17
PULSE WIDTH (Analog only) 17
FAT (Analog only) 17
TIME (PCM only) 18
FORMANT (PCM only) 18
The Mod Section 19
OSC TVA (Analog or PCM) 19
ENV RING 20
OSC SYNC 20
W-SHAPE (Wave Shaper) 21
AMP (Amplifier Emulation) 21
The COSM Sections 21
SPEAKER (Speaker Emulation) 22
SBF1 (SideBand Filter 1) 22
SBF2 (SideBand Filter 2) 23
COMB (Comb Filter) 23
COMP (Compressor) 24
TVF (Time-Variant Filter) 24
DUAL (Dual Filter) 24
LO-FI (Low-Fidelity) 25
F-SHIFT (Frequency Shifter) 25
The TVA Section 26
The Effect Section 27
Sampling and Encoding 28
Pre-Effects 28
Metronome 28
Editing Samples - Truncating 29
Encoding 30
Defining Events 30
Effective Use of Envelopes 31
Typical Envelope Shapes 31
Composite TVAs 31
Inverse Envelopes 33
Getting More out of a Sample 34
Stage 1 - Normal Arpeggios 35
The Arpeggiator 35
Stage 2 - Custom Rhythms 36
Stage 3 - Custom Sequences 37
Performance Controls 37
V-Synth controller section 42
Preparing to use V-LINK 43
A p p e n d i c e s 47
008:Voco Bass 49
018:Pulsatronic 49
110:Sidewalk 49
Designer: Stephane Pigeon 49
Hans-Joerg Scheffler 50
240:OTODAMA-East meets west 50
223:Cutting Edge 50
255:V-ocoder 50
009:Phraselab 50
O t h e r T i p s 51
Preset Patches 52
P a t c h L i s t 54
No. PatchName 55
Elements 56
Wa v e f o r m L i s t 56
Menu waves 57
Multi-samplesElements 57
What is Sound? 58
Manipulating Partials 58
Wah pedal 59
S p e c i f i c a t i o n s 60
I n d e x 62
The Book 64

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Roland V-Synth Specifiche Pagina 64

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